Vier dekades ná ‘Toorberg’

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Dit is byna vier dekades ná Toorberg. Met ’n onverwagte trein kom magistraat Imker Goedeman (wat destyds as jong man die afarm-magistraat van Toorberg, Abraham van der Ligt, in die gange van Bellville se landdroshof raakgeloop het) aan op Gebeente, ’n klein dorpie op die Vergete Grootpad noord van Sutherland. Die omgewing is geruk deur ’n opspraakwekkende plaasmoord, maar ’n nog komplekser saak moet ondersoek word: die diefstal van die Melkweg …

Ons is hier in die buurt van onwaarskynlikhede en eindelik word die ganse regstelsel uitgedaag. Historie, mite en allegorie word sjarmant verweef in dié meesleurende, fassinerende roman, en eindelik voer Etienne van Heerden sy kenmerkende magiese realisme die verste in sy hele oeuvre.

‘Brilliant characterization’: Mphuthumi Ntabeni reviews ‘A Library to Flee’ on africaisacountry.com

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“[I]t gradually resembles the best of Truman Capote’s writing, with acute observational powers, brilliant characterization, and narrative prose”
Mphuthumi Ntabeni reviews A Library to Flee on africaisacountry.com.

If an author writes with empathy, precision and authenticity about experiences foreign to their own, they’re a good writer and not a cultural appropriator.

The writer, Etienne Van Heerden, has admirable sweeping narrative powers to join events and cliffhangers into tight, jaw-dropping moments. He often grasps ideas by the nettle and delivers them in beautifully cut, clinical prose that produces intense emotions.

His new novel, translated from Afrikaans as A Library to Flee (original: Die Biblioteek aan die Einde van die Wêreld), is a collage of opinions about South Africa’s socio-political realities. At first, like most long reads, it feels disjointed and confusing—an inconsequential recording of semi-isolated occurrences and reportage culled from media outlets. But if you persevere, it gradually resembles the best of Truman Capote’s writing, with acute observational powers, brilliant characterization, and narrative prose.

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