Olive Schreiner Karoo Writers’ Festival

Etienne van Heerden (middle) spoke at the second Olive Schreiner Karoo Writers’ Festival about the Karoo as his “landscape of the mind”. Here he is with a group at the Cradock Four Memorial. At the back, from left to right: Kaia van Heerden, Tim Wege, Darryl David (founder of the festival) and Rika Featherstonehaugh. In front, from left to right: June Walters, Miki Redelinghuys and her two children, Tumani Calata, Kiara David (daughter of Darryl), Menán van Heerden, Etienne van Heerden, Nomonde Calata (wife of activist Fort Calata, one of the Cradock Four), Julienne du Toit, Michael Antrobus, the author Michael Cawood Green and Christopher Nicholson (author of Who Killed the Cradock Four?) [07.2011]

• More photographs here.
• For photographs of the festival’s expedition to Schreiner’s grave on Buffelskop, click here.

30 Nagte in Amsterdam

Literêre pryse toegeken:

  • Hertzog-prys 2010
  • UJ-prys vir beste skeppende skryfwerk in Afrikaans 2009
  • M-Net-toekenning vir beste oorspronklike roman in Afrikaans 2009
  • WA Hofmeyr-prys 2009

Oor 30 nagte in Amsterdam:

Zan. Sy’s ’n pragtige maar eksentrieke vrou, ook bekend as Xan met die onverwagse toevalle of Xusan met die geheimsinnige glaskamer. Sy’s die Susan met die onstigtelike erotiese drif. As aktrise en politieke aktivis het sy ’n voorliefde vir vreemde vriende, soos die rolprentmaker Cecil Dimaggio en die straatmusikant Manuel D’Oliveira.

Henk de Melker, museumassistent in ’n klein Oos-Kaapse dorpie, ontvang onverwags ’n brief van ’n juris in Amsterdam waarin hy ingelig word dat sy lankverdwene Tante Zan haar huis in dié stad aan hom nagelaat het. Hy, “Henk Ekskuus”, is ’n voetjie-vir-voetjie-navorser, die skrywer van dun boekies waarin die lewens van onmerkwaardige mense opgeteken word – soos die beoogde een oor Cornelius van Gogh, die onbekende broer van Vincent en Theo, wat in Suid-Afrika begrawe lê.

Henk reis na Nederland om sy erfporsie op te eis; terselfdertyd wil hy verdere navorsing oor Cornelius van Gogh doen. Hy moet besluit of hy permanent wil emigreer of nie, noudat hy eienaar word van ’n woning in Amsterdam. Mettertyd word hy ingesuig in die maalstroom van die gragtegordel met sy sakkerollers, prostitute en straatmusikante. Sy ervaringe in die binnestad konfronteer hom ook opnuut met sy kinderjare – saam met Tante Zan in die huis van sy ouma – en die invloed wat sy avontuurlike tante ná al die jare steeds op sy lewe het.

Want deur alles wat van hom weggesteek is, eindelik oop te vlek, leer Henk de Melker homself opnuut ken. Die dertig nagte wat hy in Amsterdam deurbring, verander sy besadigde lewe onherroeplik.

’n Keur van aanlyn resensies van 30 nagte in Amsterdam:

Nog oor 30 nagte in Amsterdam:

New interview

The first of four videoclips of Leon de Kock interviewing Etienne van Heerden and translator Michiel Heyns on 30 Nights in Amsterdam, Kalk Bay Books.

Doornbosch

Notes on Doornbosch Farm compiled by Frans Jordaan

The farm Doornbosch has been in the van Heerden family for generations. On 28 April 1812, on his way from Graaff Reinet to the north, the famous explorer, William J Burchell, visited Doornbosch, then owned by Cootje van Heerden. In his Travels in the Interior of Southern Africa, Burchell worded his impression of the visit as follows:  

… it was nine o’clock in the evening before we arrived at Cootje van Heerden’s where we had purposed to pass the night. This farm house was superior, in most respects, to all which I had hitherto seen in this quarter, and nearly equal to the best in the Cape District. It was built on a large scale, and in a more substantial manner, than the general class of colonial dwellings, and therefore it scarcely need be added, that the owner was in affluent circumstances. My fellow travellers, being the intimate friends of van Heerden, were received, and myself also, in the most hospitable manner. The appearance of the place and its inhabitants, was altogether as respectable as any I had seen in the colony.1

Burchell also refers to the so-called ‘Coudveld’ to the south of van Heerden’s farmstead:

Southward from this place, is a very elevated tract of land, called Coudveld (Coldland; or the Cold Country), which, seen from a distance, presents the form of a table-mountain. On the summit of this, there is a single farm-house; it was inhabited by a respectable Dutch widow, who among her neighbours, passed under the familiar name of Hannah Coudveld. This spot is considered by every Sneeuwberger, as undoubtedly the coldest place in the whole colony.2

If one goes according to current place names Hannah Coudveld would have lived on what is indicated as the Koueveldberge on the relevant 1:50 000 map sheet and which is situated between Toorberg and Meelberg. In the immediate vicinity of the Koueveldberge one also finds farm names such as Koueveld, Koudveldshoogte and Koudeveld on the relevant map sheet. According to a map provided in Burchell’s Travels in the Interior of Southern Africa the whole area from Soldaatkop in the north to Meelberg in the south is indicated as Koudeveld.

Click to enlarge
Click on image for complete map.

South of Doornbosch farmstead this includes Toorberg, the Koueveldberge and Meelberg, all three of them which have a table-mountain-form. Hannah’s homestead could therefore just as well have been situated on Toorberg or Meelberg. Whether Hannah lived on Toorberg, Meelberg or the Koueveldberge proper she must have been a formidable lady to live on such a cold and wind-swept mountain and she must have enjoyed a spectacular view from her homestead as well.

The well-known South African novelist Etienne van Heerden’s father farmed on Doornbosch. The van Heerden ancestral home on this farm features in Etienne van Heerden’s novel Ancestral Voices, while the title of his novel Toorberg (Magic Mountain), refers to Toorberg on Doornbosch.

Ancestral home


Bibliography

Burchell, WJ (1953): Travels in the Interior of Southern Africa, Volume 2. Batchworth Press, London (Reprinted from the original 1822 edition).

1 Burchell, Vol.2, p.122.

2 Burchell, Vol.2, pp.122-3