Felix Poetry Festival in Antwerp, Belgium

Etienne van Heerden wil contribute to the Felix Poetry Festival in Antwerp, Belgium, on 12th June 2013. From the festival’s website: Om het met de woorden van Simon Vinkenoog te zeggen: ‘Poëzie dient onverbiddelijk te zijn, of niet.’ Het nieuwe Felix Poetry Festival wil onverbiddelijk elk jaar het beste uit de wereld van de poëzie brengen, uit binnen- en buitenland. Zo divers het genre is, zo gevarieerd is het programma. Dichters en songsmeden, oude rotten en jong geweld, internationale gasten en woordkunstenaars van eigen bodem, het serieuze werk naast speelse performances, beeld en geluid. More details here.

‘Gifkaroo’/’Poison Karoo’

Poet Isobel Dixon signing a copy of Gifkaroo/Poison Karoo – she translated Van Heerden’s Afrikaans into English. Non-commercial publication, limited and numbered edition. 100 signed (by Van Heerden and Dixon) copies, protesting fracking in the Karoo. Not for sale.

“Poison Karoo” in the USA

Words Without Borders” are carrying “Poison Karoo” (translated from the original Afrikaans into English by Isobel Dixon) in their current issue:

“This month we explore the role of oil in the international landscape. Oil transforms nations, links disparate political and social ideologies, breeds conflict, and drives governmental and corporate policy; our writers show how this force, both blessing and curse, shapes lives and literature around the world. We begin with an essay by political scientist Michael L. Ross connecting oil wealth and national development. Russian Booker nominee and award-winning short-story writer Alexander Snegiryov presents the (show) business of oil in Russia.

“In two graphic pieces, Lebanon’s Mazen Kerbaj mourns what’s left of his pillaged country, and Italy’s Davide Reviati grows up in the shadow of Ravenna’s ominous petrochemical plant. Translator Peter Theroux shows how Abdelrahman Munif’s great Cities of Salt runs on oil. Afrikaans star Etienne van Heerden’s solitary South African experiences hydrofracking firsthand, while science fiction writer Andreas Eschbach’s stolid loner taps a sixth sense for oil. In two tales of oil workers, Argentina’s María Sonia Cristoff and Germany’s Anja Kampmann explore solitude, madness, and other occupational hazards. And poet Stephen E. Kekeghe protests the draining of Nigeria.”