Etienne van Heerden Veldsoirée 2018

22–25 September, Cradock
Gratis toegang vir alle programitems
Feesorganiseerder: Darryl David (davidd@ukzn.ac.za / 081 360 9231)

Besoekers by 2017 se Veldsoirée (Foto: Amy Coetzer)

Die bekende feesorganiseerder Darryl David het aangekondig dat die tweede Etienne van Heerden Veldsoirée vanjaar oor die langnaweek 22–25 September op Cradock en Somerset-Oos en in die Cradock-distrik sal plaasvind.

“2017 se Veldsoirée was iets besonders,” het Darryl gesê. “Dit was een van daardie onvergeetlike feeste waar almal vir drie dae met ’n breë glimlag op hul gesigte rondgeloop het. En die toer na Schreiner se sarkofaag – dit bly die hoogtepunt van my alternatiewe lewe as feesimpresario. Die Etienne van Heerden Veldsoirée bly my mees egte Karoofees.”

Klik hier vir die volledige feesinligting.

Coming up: The 2018 Etienne van Heerden Veld Soirée

22–23–24 September, Cradock
Free admission to all events
Festival organiser: Darryl David 081 360 9231

Get a Signature Tours package to the Veld Soirée

Buses from Cape Town and Pretoria/Johannesburg and Bloemfontein to Cradock and back

More info: http://www.signaturetours.co.za/conference/evh2018/

Click here for more info on the soirée and accommodation.

Darryl David with Godfrey Meintjes (Rhodes University) who presented a lecture on intertextuality in Van Heerden’s work. (Photo: Amy Coetzer)

Matshedisð Motimele, Etienne van Heerden and Credo Mutwa awarded Lifetime Literary Achievement Award at SALAs

This year’s winners of the South African Literary Awards (SALAs) were announced on Tuesday, 7 November 2017 at UNISA, Pretoria Campus.

Authors, poets, writers and literary practitioners whose works are continuously contributing to the enrichment of South Africa’s literary landscape were celebrated in an auspicious ceremony.

Read the full article with 2017’s winners.

Book review by Hans Pienaar of ‘Die wêreld van Charlie Oeng’ on ‘Business Day’

Click on the image for a larger version.

“Van Heerden displays a thriller writer’s dexterity in drip-feeding facts about the case, all the while throwing in the stories of other bit players who play their part in recreating Oeng’s world of pain and ecstasy, love and loss and above all whiteness as the colour of the blind … This novel should be translated sooner rather than later so it can contribute to the debate it promises.”

Business Day